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Enrico Crispolti (born 1933 in Rome) is an Italian art critic, curator and art historian. From 1984 to 2005 he was Professor of History of Contemporary Art at the Siena University. He previously taught History of Art at the Academy of Fine Arts in Rome (1966–1973) and the Salerno University (1973–1984). == Exhibitions == Enrico Crispolti has curated many contemporary art exhibitions and events, including four editions of ''Alternative Attuali'' in L'Aquila (1962, 1963, 1965, 1968), three editions of the Biennale of Metal and Ceramics in Gubbio (1973, 1974, 1975), the 5th and 6th Biennial of Sacred Art in San Gabriele (1992, 1994), the 9th International Sculpture Biennale of Carrara (1998), as well as sections of the Venice Biennale, including ''Ambiente come sociale'' (1976), ''The New Soviet Art: An Unofficial Perspective'' (1977), and ''Megastructural Imagination from Futurism to Today'' (1978). Other exhibitions he organized include "Six Italian Painters from the 1940s to the Present Day'' (Municipal Gallery of Contemporary Art, Arezzo, 1967),''The imaginary Organic'', (Forte Belvedere, Florence, 1992), ''A! Que bien!, Resistes'' (Galleria Comunale d'Arte Contemporanea, Arezzo, 1994); ''Art and State'' (Museo Revoltella], Trieste and Palazzo delle Albere, Trento 1997); ''Art in the early 20th Century in Maremma'' (Grosseto, 2006). Crispolti's work focused mostly on Futurism. He curated the first major retrospective of Giacomo Balla at the Civic Gallery of Modern Art in Turin in 1963, with Maria Drudi Gambillo, as well as major surveys like ''Futurism and Fashion'' (PAC, Milan, 1988); ''Italiens Moderne: Futurismus und Rationalismus'' (Fridericianum Museum, Kassel and IVAM, Valencia 1990), ''Futurism'' (Tokyo, Sapporo, Sendas, Otsu, 1992), ''Futuristickà rekonstrukce vesmíru'' (Prague 1994), ''Futurism and the South of Italy'' (Royal Palace, Naples, 1996), ''The Great Themes of Futurism 1909-1944'' (Palazzo Ducale, Genoa and Fondazione Mazzotta, Milan, 1998), ''Le Futurisme'' (Fondation Hermitage, Lausanne, 1998); ''Futurism through Tuscany'' (Museo Fattori, Villa Mimbelli, Livorno, 2000);'' Futurism'' (Palazzo delle Esposizioni, Rome, 2001); and ''From Futurism to ''] (Museo del Corso, Rome, 2002). He also curated several retrospectives of contemporary artists, including Mauro Reggiani (Galleria Civica d'Arte Moderna, Turin, 1973); Corrado Cagli (Palazzo degli Anziani, Ancona 1980; Castel dell'Ovo, Naples 1982; Magazzini del Sale, Siena 1984); Renato Guttuso (Reggio Emilia, St. Francis Church, Como; Archaeological Museum of Salerno, 1983); Pietro Cascella (Magazzini del Sale, Siena 1985; Ignazio Gadaleta (Municipal Gallery of Contemporary Art, Arezzo, 1990); Edgardo Mannucci (Palazzo Braschi, Rome 1991); Enrico Prampolini (Palazzo delle Esposizioni, Rome, 1992); Valeriano Trubbiani (Palazzo Ricci, Macerata, 1997); Francesco Somaini (Brera Academy, Milan, 1997); (Fontana )] (Palazzo delle Esposizioni, Rome, 1998; Centenario, Milan, 1999; and Fundación PROA, Buenos Aires, 1999); Guido Pajetta (Villa Reale, Monza,); and Mario Ceroli (Castello Svevo, Bari, 2003). 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Enrico Crispolti」の詳細全文を読む スポンサード リンク
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